legato, then rubato

re: Jan Zwicky

Two terms for music and metaphor: legato and rubato

see etymologies, both curious.

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Jan Zwicky, Wittgenstein and Form

I was thinking that had PART ONE had the single line page headers and PART TWO had double-line page headers ... too obvious? A one unit and then a two unit length line as page headers? Golden ratio lengths? Imagine the unexplained subtle elegance of the book without the PART pages themselves being required as partitions.

§
What about a poem which opens with a left indent to

I wonder if it is the case that 

    [and then stanza(s),
    finally ending with
    a right indented ]

        I think that it is so.

Imagine starting to see this as a recurring form in poetry magazines, anthologies.

A paradigm case of  the ugly: a single quote from misguided Ernest Gellner Words and Things, 1st Ed. ?

Dal segno al coda would require us to use U+1D10B as the non-printing HTML UNICODE escape sequence &#1D10B;

The printer or the author was selective in the LW segno chosen?

It was not the segno

Repeat:

And then to the coda.

Zwicky, Wittgenstein, music

IN 1992, would it not truly have been "fresh air" if, instead of the praise of Ronald de Sousa, the U of T Press had broken with good form and marketing and placed a dissenting view of the book on the back cover of the paperbound edition of Kan Zwicky's Lyric Philosophy? On a tasteless dust jacket for an oh, so expensive hardcover destined for the shelves of libraries and so, discarded?  And then from the stacks to storage?

Consider that not a single page is colour - in a book of so many reproductions.  Not even the addition of colour to the bass clef.  Or the alto clef of the Mozart.

The music extends only across Wittgenstein's taste.  The melody of Ben Jonson's 1616 "Drink to Me Only With Thine Eyes" cannot find a place in the narrow band from Bach to Bruckner's 7.

Bach, Mozart, Beethoven, Schubert, Bruckner. Where is that Haydn piano sonata? The Weber clarinet?

Among post-Wittgensteinians, a question of good form?  „Listen - can you hear it?“

Hopefully another edition would include links to fine interpretations of each selection included.

But is it assumed the reader can read music?  Yet we could not have the Kant with the original German?  This was Toronto Studies in Philosophy.  They had published Fackenheim.  Who are these readers of Wittgenstein who cannot read him in German?

It is as sad as those books of Haiku in translation with largely blank pages and not so much as a romanji version of the original.  No special typesetting required (beyond a few diacritics.)

What explains the absence of Suzanne Langer?  A failing of her editor?  A misplaced set of note cards?  A mis-labeled box of index cards?  A single set of large file cards used on a plane while travelling back from an APA conference - and then misplaced?

Should this post be re-worked with an eye to form, to ensure balance, to allow thought to etch the mean plate of experience?

Wittgenstein — said to have interrupted a performance of a Schubert quartet ... a question of style.  A shoebox of notes, perhaps not quite in order.

— § —

note: the 2003 Gaspereau Press volume has the author's name in a subtle red on the title page.
v. Rorschach colour shock; red-inked seals, kanji, on Japanese prints, 朱印

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Zwicky, Woolf and metaphor

It is curious to find so much Wittgenstein in Wisdom and Metaphor - but no Woolf.

Whatever you may think of Virginia Woolf choosing to name Miss Briscoe 'Lily', we do have (following the heavy-handed "virginal" for "Miss Brisk")

"as the night wore on, white lights parted the curtains"

which, in the 'white' for the 'dark', we have a metaphor perhaps stronger than the Haas bowl of dead bees.

Consider Lady Ki No Washika, "No".  The Graeme Wilson translation is as follows:

It’s not because I’m now too old,
More wizened than you guess.. 

If I say no, it’s only
Because I fear that yes
Would bring me nothing, in the end,
But a fiercer loneliness.

as a counter-part to the Haas.

Woolf: "a serious stare from eyes of unparalleled depth"

What was the Woolf's view of that other painting, the one by Courbet?

わしか

Zwicky's Wisdom & Metaphor

Jan Zwicky's Wisdom & Metaphor does not cite Gaston Bachelard's closing observations on metaphor in his Psychoanalysis of Fire.  For that matter, Bachelard is not mentioned in her Lyric Philosophy.

I hold no brief for Bachelard, but his Poetics of Space is cited by way of an epigram to one of her books of poetry ...

I think of these two large books as bound note cards otherwise well-suited to electronic editions in an annotation-friendly ebook viewer or reader.

Jan Zwicky Bachelard

Jan Zwicky's Gaston Bachelard epigram* is from his Poetics of Space (La Poétique de l'espace 1957 ISBN 2-13-054444-4.)

The original, page 30, is this: [ scribd ]

Chacun devrait alors dire ses routes, ses carrefours, ses bancs. Chacun devrait dresser le cadastre de ses campagnes perdues.

Why 'then', "alors" ? Le chemin.  Page 29:

Et quel bel objet dynamique qu'un sentier !

cp: his La formation de l'esprit scientifique: ... and the Pléiade volume by Jean Piaget, Logique et connaissance scientifique, Encyclopédie de la Pléiade, 1967 with Hermann Weyl's Philosophy of Mathematics and Natural Science.

v.  La flamme d'une chandelle

In our day,the Saskatchewan chemistry textbook opened with a qualitative task: describe a flame. Forty years later, work in catastrophes, chaos, attractors and fractals brings us to an account of the typical isolated flame, steady, flickering, steady.

See also: Bachelard preface to Jean Cavaillès Sur la logique et la théorie de la science
cf Georges Canguilhem,
La Connaissance de la vie
Idéologie et rationalité dans l'histoire des sciences de la vie: ... 
Vie et mort de Jean Cavaillès
Études d'histoire et de philosophie des sciences 
cf Michel Leiris' "Judith", J.H. Van den Berg

* Robinson's Crossing, 2004, Brick Books (Shibboleth: can you say CC? But as to that other inscription, what would Ivan Illich have made of her use of Canada Council funding for support of her books of poetry? Did Arne Naess avail himself of CC? Consistency, that anarchical hobgoblin. On the use of the internet to sustain poets in subsistence economies, see the earliest proposed use of M.I.T. Curl web pages as pay-per-page and the possible survival of the penny as the web fractional penny.  millipenny ??)

The Bachelard in English as cited is:

Each one of us, then, should speak of his roads, his crossroads, his roadside benches; each one of us should make a surveyor's map of his lost fields and meadows. 

[ which continues with]
Thoreau said that he had the map of his fields engraved in his soul ...

The uncredited translator was M. Jolas

Note Bachelard on Bergson M&M in Sec VIII on the Intro.

The epigram is followed in the text of Bachelard by a quotation from a poem of Jean Wahl